Sketch

With the help of a dispirited Asian Artist in Residence, a terminally ill woman in her last days puts herself on display at the ultra-conservative Tensing Gallery, Wellington. At first appalled, the arrogant, emotionally repressed director calls for the exhibition to be pulled, but at the last moment withdraws his request when a close friend mentions there is money to be made, and even better, a legacy that even money couldn't buy.