Print Page Email a Friend

Bruce Mason Award

We Will Remember Them Also

It's generally accepted that the majority of New Zealanders today oppose war and advocate for more peaceful resolutions to conflict. Yet on Anzac Day those conscientious objectors who made difficult stands for this position historically still get limited acknowledgement.

This Anzac Day afternoon will be the first public performance of Michael Galvin's play War Hero at Downstage Theatre, Wellington, April 25, 3pm, a play inspired by We Will Not Cease by Archibald Baxter and commissioned as part of the Bruce Mason Playwriting award.

The playreading, directed by Murray Lynch, will be accompanied by projection of celebrated paintings by Bob Kerr, which also tell Baxter's story, as featured in Field Punishment No.1 by David Grant, a history of conscientious objection in New Zealand.

Archibald Baxter was one of 14 conscientious objectors who were forcibly transported to the front line in France during the First World War where they were subjected to a variety of disciplinary measures, including the barbaric ‘No. 1 field punishment'.

This playreading is being presented by Playmarket with Downstage, the Bruce Mason Estate, the Downstage Theatre Society, and the FAME Trust. It's also an opportunity to hear the work of a leading emerging playwright interpreting a classic of New Zealand literature with a stellar professional cast. The play was commissioned from Galvin as part of winning the Bruce Mason Playwriting Award, New Zealand's most significant theatre award.

Michael Galvin is best known for his play Ocean Star which premiered to acclaim with Auckland Theatre Company in 2006. Well known as an actor for stage and screen (Shortland Street) his play New Gold Dream is scheduled for production soon.

Baxter, the father of James K Baxter, wrote We Shall Not Cease in London at the beginning of the Second World War. When it was republished by Caxton Press in 1968 he wrote the following in the preface:

"A greater barbarism than any the human race has known in the past has risen among the nations. In the First World War multitudes of conscript soldiers were buried alive in the mud of France. Villages were also annihilated but the greatest number of casualties were among the conscript troops. In the Second World War the wholesale slaughter of civilians-by high explosives, by firebombing, and finally by atomic weapons-became a matter of course. Reports from the present Vietnam War indicate that 80 percent of the casualties are occurring among civilians. War has at last become wholly indiscriminate... We make war chiefly on civilians and respect for human life seems to have become a thing of the past... all wars are equally atrocious and no war can be called just."

War Hero, Michael Galvin, Downstage Theatre, Saturday April 25, 3pm, Entry by koha

 

2008 Award Winner Paul Rothwell

Paul Rothwell has been awarded New Zealand’s most significant national theatre award, the Bruce Mason Playwriting Award. The emerging playwrights’ award for 2008 was announced at Downstage Theatre Wellington by Playmarket. Rothwell’s award recognises his dedication as a playwright and its recognition by critics and audiences.

The Bruce Mason Award is decided through voting by a panel of leading directors and play developers throughout New Zealand. The award sees Rothwell awarded a $10,000 full-length play commission, to be given a playreading in 2010.

Five of Paul Rothwell’s plays, including Hate Crimes, Golden Boys and Deliver Us, have been mounted in the last three years providing both delight and controversial insights into the heart of New Zealand society. He has been widely heralded as one of this country’s most exciting new playwrights. Rothwell has twice been nominated for the Chapman Tripp Theatre Award for Most Outstanding New Playwright and is a previous winner of Playmarket’s New Zealand Young Playwrights Competition. A new work Christmas Indoor premieres in Wellington in December, and another new play The Blackening had a reading with Auckland Theatre Company this year.

This prestigious annual award has since 1983 recognised the work of an outstanding emerging New Zealand playwright. Such a playwright has had one or more full-length plays produced to acclaim. Previous winners include many of this country’s most celebrated writers, including Briar Grace Smith, David Geary and Toa Fraser. The award is sponsored by the Downstage Theatre Society, The FAME Trust, the Bruce Mason Estate and Playmarket.

Twisted, dark and often very funny, Rothwell’s plays have often led to debate amongst critics and audiences for their pointed commentary on New Zealand middle class suburbia, where families struggle under the weight of society’s expectations. Rothwell’s latest Christmas Indoors, opening at BATS Theatre in early December, is described as an unashamedly anti-Christmas comedy about family; exploring how sometimes the things that bring us together are the same things that push us apart.

The Award is named after the man considered to be New Zealand’s first most significant playwright, Bruce Mason who died in 1982.
 

The Award

The Bruce Mason Playwriting Award is New Zealand’s most prestigious playwriting award, provided by Playmarket with generous support from the FAME Trust and Downstage Theatre Society.

This annual national award, given in November each year, exists to recognise the work of an outstanding emerging New Zealand playwright. Such a playwright will have had one or more full-length plays produced to critical and audience acclaim. The Award plays a vital part in a playwright’s career by focusing the professional development of the winner. There is no application process for the award, rather playwrights are nominated and ranked by a national panel of leading theatre dramaturgs and artistic directors who are in a position to read or see the work eligible.

The award includes a full-length play commission from the winning playwright and an annual playreading. 

Previous recipients of the award are: Michael Galvin, 2007; Albert Belz, 2006; Mitch Tawhi Thomas, 2002; Victor Rodger, 2001; Stuart McKenzie 2000; Toa Fraser 1999; Oscar Kightley 1998; Jo Randerson 1997; John Vakidis, 1996; Briar Grace-Smith, 1995; Duncan Sarkies, 1994; Vivienne Plumb, 1993; Hone Kouka, 1992; David Geary, 1991; John Broughton,1990; James Beaumont, 1989; Stuart Hoar, 1988; Sarah Delahunty, 1987; Rosie Scott, 1986; Stephanie Johnson, 1985; Simon O'Connor, 1984; Fiona Farrell, 1983.

The FAME TRUST (formerly known as the International Arts Foundation of New Zealand) was set up in 1995 to provide interest free loans to post graduate students, with proven ability, seeking further education, frequently offshore. By 6th September 2005 it had assisted 468 students from all artistic genres: performers and creators, actors and playwrights.

Downstage Theatre Society members share a love of live theatre and support Downstage. One way in which the Society contributes, not only to Downstage but to theatre in Wellington, is by working with Playmarket and the theatre in organising the Adam Playreading Series, which has been running annually since 1997. Given Bruce Mason’s importance to Downstage and our theatre’s commitment to the finest new New Zealand playwriting we are thrilled to be able to support this Award.

Bruce Mason

Born in Wellington in 1921, Bruce Mason was one of New Zealand’s most significant playwrights and a key figure in the birth of a New Zealand theatre. He served as radio, record and music critic for the NZ Listener and was drama critic for The Dominion 1958-60 and again in 1973-80. From 1980 he transferred to the Evening Post.

In 1960-61 Mason was Editor of Te Ao Hou for the Department of Maori Affairs and from 1967-70 edited the theatre magazine Act. Actively involved in all aspects of New Zealand literature, he was also a founder and president of the NZ branch of PEN and from 1948-60 was variously president, secretary and committee member of Wellington's Unity Theatre. In 1963 he toured Eastern Europe and performed The End of the Golden Weather at that year’s Edinburgh Festival.

Mason wrote over thirty plays, including such classics as The Pohutakawa Tree, End of the Golden Weather, Blood of the Lamb and Awatea. He was awarded an Honorary Doctorate of Literature by Victoria University in 1977, was made a CBE in 1980, and in 1982 was given the New Zealand Literary Fund Award for Achievement. Bruce Mason died in 1982.

A staunch supporter of Downstage Theatre, numerous of Mason’s plays were produced in the theatre’s early days and his contribution to Downstage and our theatre have been recognised by the unveiling of a sculpture of Mason at Downstage in 2005.